Michael Jackson - They Don't Care About Us (Persian Version) [HQ]

"They Don't Care About Us" is the fourth single from Michael Jackson's album HIStory. The song remains one of the most controversial pieces Jackson ever composed. In the US, media scrutiny surrounding alleged antisemitic lyrics were the catalyst for Jackson issuing multiple apologies and re-recording the album–altering the lyrics for that particular track. The singer countered allegations of antisemitism, arguing that reviews had misinterpreted the context of the song, either unintentionally or deliberately. Musically, it is an aggressive hip-hop production about social ills.

The song was accompanied by two music videos directed by Spike Lee. The first was shot in Brazil, in the cities of Rio de Janeiro and Salvador. The second video was shot in a prison and contained video footage of multiple references to human rights abuses.

Commercially, the song became a top ten hit in all European countries. In the US, radio stations were reluctant to play the controversial composition; it, however, managed to peak at number 30 on the Billboard Hot 100.

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Michael Jackson - Wanna Be Startin' Somethin' [mkv | HQ]

"Wanna Be Startin' Somethin'" is a song by American R&B musician Michael Jackson, featured on his 1982 sixth studio album Thriller. Released as the fourth single from the album on May 8, 1983, the song peaked at number five on the American Billboard Hot 100 singles chart, topped the American Hot Black Singles and Hot Dance Club Songs charts and reached number eight on the UK Singles Chart. "Wanna Be Startin' Somethin'" was re-recorded with hip hop artist Akon for the 2008 reissue album Thriller 25 under the title "Wanna Be Startin' Somethin' 2008" and was released as a single, charting at number 48 in the United States.
One of the songs released as a single without an accompanying video, "Wanna Be Startin' Somethin'" nonetheless has attained a popularity rivaling its sister compositions on the album, and had become Jackson's song of choice for opening live concerts, partly due to "startin' something" such as the concert. Not being as strictly associated with a specific dance routine as those others has arguably allowed for more flexibility in performances and staging.
Two notable occurrences that happened during live performances were the physically complicated "stop/start" dance technique that brought Jackson and his dancers to a frozen stop several times, and the sing-along between performer and audience during the bridge.
"Wanna Be Startin' Somethin'" was also used on every set list of Jackson's tours, from the Victory Tour in 1984, right the way through to the HIStory Tour in 1997.

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Michael Jackson - Gone Too Soon [HQ]

"Gone Too Soon" is a song originally performed by Michael Jackson. It is the ninth single taken from the album Dangerous. It peaked at #33 on the UK Singles Chart in December 1993.
The song is dedicated to Ryan White, a young victim of AIDS whom Jackson befriended prior to his death. Michael performed this song at the ball for former President Bill Clinton's first inauguration on January 20, 1993, where he highlighted the importance of supporting research for a cure to this disease.
The music video was featured on the home video "Dangerous - The Short Films".
The track was included on the compilation album, Diana Princess of Wales Tribute, released by Sony in December 1997, shortly after the death of Princess Diana. The song was further covered by Babyface, as a duet with Stevie Wonder, during his MTV Unplugged session.
Usher performed the song at Jackson's memorial service on July 7th, 2009.

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Michael Jackson - Billie Jean [vob | 220 MB]

"Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth studio album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements (see below: Recording). The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized.

Following the successful chart performances of Thriller and "The Girl Is Mine", "Billie Jean" was released on January 2, 1983, as the album's second single. "Billie Jean" was a worldwide commercial and critical success; it became one of the best-selling singles of 1983, and topped both the US and UK charts simultaneously. Considered one of the most revolutionary songs in history, "Billie Jean" was certified platinum in 1989.

Honoured numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be aired by the channel, and an Emmy-nominated performance on Motown 25: Yesterday, Today, Forever, in which Jackson premiered "the moonwalk." The song was also promoted through Jackson's Pepsi commercials; during the filming of one commercial, Jackson's scalp was severely burned. Covered and sampled by modern artists, "Billie Jean" sealed Jackson's status as an international pop icon. wikipedia.org

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Michael Jackson - What's Up With You

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Michael Jackson - Torture [HQ]

Michael Jackson - Torture (Lyrics and Music Video)
It was on the street so evil, so bad that even hell disowned it.
Every single step was trouble for the fool who stumbled on it.
Eyes within the dark were watchin' I felt that sudden chill of danger.
Something told me to keep on walkin' told me I should not have gone there.

Baby, because you cut me like a knife without your love in my life.
I'm out, I'm walkin' the night 'cause I just canmt stop this feelin'.
It's torture, it's torture, it's torture.

She was up a stair to nowhere.
A room forever I'll remember.
She said as though I should have known her,
Tell me, what's your pain or pleasure?
Every little thing you find here is simply for the thrill you're after.
Loneliness or hearts on fire.
I am here to serve all masters.

She said Reality is a knife when there's no love in your life.
Unmerciful is the night when you just can't stop this feelin'.
It's torture, it's torture, it's torture.

And I still can't find the meaning of the face I keep on seeing.
Was she real or am I dreaming?
Did the sound of your name turn a wheel, strike a flame in me?

Baby, because you cut me like a knife without your love in my life.
I'm out, I'm walkin' the night and I just can't stop this feeling.
It's torture, it's torture, it's torture.

She said Reality is a knife when there's no love in your life.
Unmerciful is the night when you just can't stop this feelin'.
It's torture, it's torture, it's torture.

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Michael Jackson - Dirty Diana [HQ]

"Dirty Diana" is a hit song by singer Michael Jackson, released in April 1988. The song presented a harder rock sound similar to that of "Beat It" from the album Thriller. It was the fifth and final number-one hit on the Billboard Hot 100 from the album Bad. This song is from his 1987 album Bad.

The accompanying video was shot in early 1988 in front of a live audience. The video starts with a low guitar note. Then it shows Michael performing in front of an audience. In between shots of him performing there are shots of a woman (Tatiana Thumbtzen)[1] walking down a dark alley. Michael finishes his by ripping his shirt, ad-libbing, grabbing his crotch. After the concert, he races down the stairs toward his limo. He opens the door, only to find Diana waiting for him and the video ends on the same note it started on.

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Michael Jackson - What More Can I Give

"What More Can I Give" (also "Todo Para Ti" in Spanish) is a song recorded as a charity single by Michael Jackson and more than 35 other artists, with the goal of raising $50 million for numerous charities in response to the September 11, 2001 attacks. A Spanish version was also recorded. Jackson was originally inspired to write the song after meeting with former South African president Nelson Mandela in 1999, and commented that the song was intended to "find solace in the wake of the attack on America and to create a sense of global unity in the face of mindless violence and mass murder."

The single was never released due to a conflict between Jackson and Sony Music. Sony believed the release would create a marketing conflict with Invincible, his then-new album. However, even months after Invincible's release, Sony still refused to release the single. This was one of several factors in Jackson's labelling Sony chief Tommy Mottola a "racist" who he believed had sabotaged the marketing of his new material, and thus announcing his withdrawal from Epic Records. While the song never saw proper retail release, a pay download was eventually made available via whatmorecanigive.com, the (now defunct) official site.

Sony, however, claimed that it was Jackson's own people that pulled the single from release because it was learned that the song's executive producer, Marc Schaffel, was a former director of gay pornography, and, thus, they did not want him to be associated with Michael Jackson or a charity-benefit single.

On October 21, 2001, the song was performed at a 9/11 benefit concert called United We Stand: What More Can I Give?.

In October 2003, The making of the song was shown at the 2003 Radio City Music Awards, where Jackson was presented with a humanitarian award.

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Michael Jackson - We Are the World

"We Are the World" is a 1985 song written by Michael Jackson and Lionel Richie, produced and conducted by Quincy Jones and recorded by a supergroup of 45 popular musicians billed as USA for Africa (United Support of Artists for Africa). The charity single was intended to raise funds to help famine-relief efforts in Ethiopia, which had experienced unusual drought and political instability in 1984 and 1985. Sales from the single and accompanying album and video ultimately raised over $63 million for the famine relief.

History
The song was inspired by the charity single "Do They Know It's Christmas?" which had been released a few months prior in November 1984. After that performance, which mostly included British musicians, Band Aid organizer Bob Geldof attempted to contact American musicians for an American Christmas charity single, but he had little luck in getting the musicians to reorganize their schedules for recording. Harry Belafonte, who had not been contacted by Geldof, contacted music manager Ken Kragen about putting together a concert to help raise money for African causes.

A temporary but severe drought in Ethiopia during 1984/1985 had decimated local food supplies, and famine relief was still needed for 6 countries, noted by the United Nations (UN): Ethiopia (commonly in news reports), Chad, Mali, Niger, Sudan and Mozambique. Kragen, the manager of Lionel Richie and Kenny Rogers, didn't believe that a concert would make enough of a difference and suggested a charity single instead, including about a dozen artists. However, response from musicians was overwhelming, and Kragen turned down about 50 artists who wished to appear on the song.

Michael Jackson and Lionel Richie wrote the song for the group, knowing there were people dying in Africa. Quincy Jones agreed to produce and sent a demo to all the participating artists, along with a note to "check their egos at the door".

The song was performed as the finale of Michael Jackson's July 7, 2009 memorial service at Staples Centre in Los Angeles after the death of Michael Jackson on June 25, 2009. The song featured religous symbols and portraits by photographer Steve McCurry.

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Michael Jackson - Rock with You [HQ]

"Rock with You" was released on November 3, 1979, as the second single from Michael Jackson's fifth solo LP and breakthrough album, Off the Wall. Written by Heatwave group member and songwriter Rod Temperton, the song helped Jackson score one of the first Billboard number-one singles in the 1980s, as well as one of the last big hits of the disco era. It reached number one on both the pop and R&B singles chart and became one of Jackson's most-loved songs. A video for the song shows a smiling Jackson dancing in a sequined suit against a background laser. According to Billboard, the song was the fourth biggest single of 1980. It was re-released as a single on February 27, 2006, as part of the Visionary: The Video Singles box set.
The song was later covered by singer Brandy in 1995 for Quincy Jones' album, Q's Jook Joint. It was also covered by Ashanti in 2003 as a remix to her single "Rock With Me (Aww Baby)" and performed at the BET Awards. In 2008, Michael's sister, Janet, released "Rock with U" (a house / club number), from her Discipline album. Although similar in name, the songs are completely different in lyrics and music. Chris Brown performed it on the Essence Music Festival in New Orleans. The song was covered by the company Wavegroup for the game Karaoke Revolution Presents: American Idol. en.wikipedia.org

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Michael Jackson - Man in the Mirror [HQ | 173MB]

"Man in the Mirror" is a song by Michael Jackson. It peaked at number one when released as a single in the spring of 1988 off his seventh solo album, Bad. It is one of Jackson's most critically acclaimed songs and it was nominated for Record of the Year at the Grammy Awards. The song garnered massive airplay and topped the Billboard Hot 100 for two weeks. It was only a moderate hit in the UK at the time of its release, peaking at number 21 and becoming the only single from Bad not to reach the UK Top 20 on first release. However, on July 5, 2009, following the news of Jackson's death, the song charted at number 2 in the official UK Singles Chart, having re-entered the chart at 11 the previous week.
The video for "Man in the Mirror" is a notable departure from Jackson's other videos mainly because Jackson himself does not appear in the video (aside from a brief clip toward the end of the video in which he can be seen donning a red jacket and standing in a large crowd, somewhat reminiscent of Where's Wally). Instead, it featured footages of various news events such as the John F. Kennedy and Robert Kennedy shootings, Live Aid, and notable people including Martin Luther King, Lech Wałęsa, Mother Teresa, John Lennon and Yoko Ono, Mahatma Gandhi, Mikhail Gorbechev, Ronald Reagan, and Adolf Hitler.

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Michael Jackson and Paul McCartney - Say Say Say [HQ]

"Say Say Say" is a song by Paul McCartney and Michael Jackson. The track was written by the duo, and produced by George Martin for McCartney's fifth solo album, Pipes of Peace (1983). The song was the pair's second duet to be released, following "The Girl Is Mine" for Jackson's Thriller (1982), however, it had been recorded one year before, at the same time as McCartney's Tug of War (1982) album. The single became Jackson's seventh top ten hit in a year upon its release in October 1983. "Say Say Say" was a number one hit in the US and peaked at number two in the UK. Number one in Canada, Finland, Italy, Norway and Sweden, the single also peaked within the top ten in Australia, Austria and New Zealand.

Certified platinum by the Recording Industry Association of America, the song was promoted with a music video directed by Bob Giraldi. The video, filmed in Santa Ynez Valley, California, featured cameo appearances by Linda McCartney, and La Toya Jackson. The short film centered around two con artists, "Mac and Jack", and introduced dialogue and storylines to music videos. Upon its release, the video was considered too violent by the National Coalition on Television Violence. "Say Say Say" was covered by the Dutch music group Hi-Tack in early 2006. They took the song to number four on the UK singles chart.

Music video
Directed by Bob Giraldi, who also directed "Beat It", the music video for "Say Say Say" featured cameo appearances by Linda McCartney, La Toya Jackson and Mr. T. It was filmed in Santa Ynez Valley, California, and McCartney had to fly out to Jackson; the latter's schedule was busy. As "Mac and Jack", the duo play a pair of conmen selling a "miracle potion". The salesman (McCartney) offers Jackson the potion, claiming it's "guaranteed to give you the strength of a raging bull". Jackson drinks the potion and challenges a large man, also in on the scam, to arm wrestle. Upon Jackson winning, the crowd surges forward, hoping to buy the magical potion. With the money earned from the scam, Mac and Jack donate it all to an orphanage. In their hotel, Jackson enters the bathroom while McCartney is shaving. McCartney playfully dabs shaving foam on Jackson's cheek, despite the fact that Jackson does not need a shave. McCartney and Jackson then star as vaudeville performers singing and dancing at a bar. Jackson's love interest, with whom he flirts, was played by his sister La Toya. Before taking to the stage, the duo appear in blackface makeup. The video ends with Paul, Linda and Michael driving off into the sunset. La Toya, handed a bunch of flowers by McCartney, is left at the roadside. The video cost the singers $500,000 to make.
Giraldi said of the duo, "Michael didn't outdance Paul, and Paul didn't outsing Michael". He added that making the video was hard work, "The egos could fill a room". The video introduced both dialogue and storyline, an element extended upon in Thriller. Upon its release, the National Coalition of Television Violence classified the music video as too violent to be aired. They also classified Thriller and more than half of the 200 videos surveyed from MTV as being overtly violent. The Manchester Evening News later described the video as an "anarchic caper" that "plays out like an Emir Kusturica feature". PopMatters stated that the music videos of "Say Say Say" and "Goodnight Tonight" turned "a pair of otherwise forgettable songs into something worth watching" Steven Greenlee of The Boston Globe reflected that the video was both "horrifying and compelling", while noting the ridiculousness of a potion aiding Jackson in beating somebody at arm wrestling. He added, "It's even harder to believe that the two of them didn't get the pulp beaten out of them in that bar for dressing like a pair of Chess King employees". The video was later included on the McCartney DVD, The McCartney Years

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Michael Jackson - Ghosts [HQ | 352MB]

Ghosts is a short film starring Michael Jackson and directed by film director and special effects guru Stan Winston which could also be classified as a long-form music video. It was filmed and first screened in 1996 and released along with select prints of the film Stephen King's THINNER. It was released a year later internationally on VHS.
The film tells the story of a scary Maestro with supernatural powers, who is being forced out of a small town by its mayor. The movie includes a series of dance routines performed by Michael Jackson and his "family" of ghouls. Every song from the film was taken from Michael Jackson's HIStory and Blood on the Dance Floor albums. The film is also notable for an early film appearance of rapper Mos Def.

Plot
The Maestro (Jackson) lives alone in a creepy-looking mansion on top of a hill, overlooking the town of "Normal Valley". Occasionally, he entertains the local children with scary magic tricks. One of the children tells his mother, who alerts the town Mayor (also played by Jackson); he in turn organizes the townspeople to go to the Maestro's mansion and force him out of town. Some of them show reluctance to do so, but are pressured into joining the Mayor on his crusade.

On a stormy night they go to the Maestro's mansion (which instead of a numbered address, is addressed "Someplace Else") holding flaming torches. When they arrive at the mansion, it is guarded by a large gate. They peer in through the gate, and by the haunting look of the mansion, have second thoughts about entering. The children assure the parents that the Maestro has done nothing wrong, and ask that they leave him alone. But the Mayor remarks, "He's a weirdo, and there's no place in this town for weirdos".

The front gate opens, frightening the townspeople, who make their way to the front door, which also opens by itself. The inside of the mansion appears to them even creepier than the outside, and the parents re-assure their children (and themselves) "there's no such thing as ghosts". They make their way into the house, and once they are all inside, the front door slams shut and locks itself.
Two more large doors swing open revealing a large, darkened dance hall. Hesitantly, the townspeople make their way to the dance hall, where they are greeted by The Maestro who makes a scary yet comical entrance. The Mayor angrily confronts him, calling the Maestro "strange", "weird", and a "freak", and telling him that he's not welcome in their town. The Maestro defends himself, and in response the Mayor threatens "Are you going to leave, or am I going to have to hurt you?" (The townspeople appear not to be as forceful in their position, but don't offer an objection).
To this the Maestro replies, "You're trying to scare me, aren't you?...I guess I have no choice; I have to try and scare you." He then makes a series of funny faces, which the Mayor calls "ridiculous" and "not funny". In a change of tone, the Maestro asks, "Is this scary?" and pulls his face sideways before pulling his face down and stretches his mouth. Then he continues to stretch his face more, ultimately pulls off his face to reveal his skull and laughing maniacally. The frightened townspeople run for the doors, which the Maestro shuts with his magical powers, then smashes his skull with his fists, revealing his normal head.
The Maestro then introduces his "family" of ghouls who, along with the Maestro, perform an extended dance routine (to original music composed by Jackson) which alternately impresses and scares the townspeople. During this sequence, the Maestro's acts include ripping his skin off to reveal a skeletal body; possessing the Mayor and making him dance; and transforming the Mayor into an ugly, horrific demon while remarking, "Who's the freak now?" ," Freaky Boy, Freak circus freak".
After his performance ends, the Maestro asks, "Do you still want me to go?". While the townspeople respond "no", the mayor vehemently says "Yes!". The Maestro quietly agrees by saying, "Fine...I'll go." He falls, and after smashing his hands and face into the floor his face and body violently start to crumble into dust on the floor, which is then blown away by the wind. The townspeople are saddened by this, and somewhat sorry to see him go. The Mayor however thinks he has come out victorious and heads for the doors saying "I Showed him". When he opens them he finds a monstrous-looking Maestro-demon head which says "HELLO" and terrifies him, and he runs away scared (leaving a comically Mayor-shaped hole in the glass door).
The townspeople then turn back to the now open front doors to see the Maestro standing there, laughing. They realize he isn't so bad after all and make peace with him. The story ends with one of the children asking, "Is this scary?", and the camera moves to a long shot of the mansion while terrified screams are heard.

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Michael Jackson - Heal the World [HQ]

"Heal the World" is a song from Michael Jackson's hit album, Dangerous, released in 1991. The music video features children living in countries suffering from unrest. It is also one of only a handful of Michael Jackson's videos not to feature Jackson himself, the others being "Cry", "HIStory" and "Man in the Mirror". (The clips for "HIStory" and "Man in the Mirror" only feature Michael Jackson in archival footage). Jackson performed the song in the Super Bowl XXVII halftime show with a 35000 person flash card performance.
In a 2001 Internet chat with fans, Jackson said "Heal the World" is the song he is most proud to have created. He also created the Heal the World Foundation, a charitable organization which was designed to improve the lives of children. The organization was also meant to teach children how to help others. This concept of 'betterment for all' would become a centerpiece for the Dangerous World Tour. In the documentary Living with Michael Jackson, Jackson said he created the song in his "Giving Tree" at the Neverland Ranch.
An ensemble performance of "We Are the World" and "Heal the World" closed Jackson's memorial service at the Staples Center in Los Angeles on July 7, 2009. The song was performed as rehearsed by Jackson at the venue just days earlier, in preparation for his planned "This Is It" tour in London.

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Michael Jackson - In the Closet [HQ]

"In the Closet" is a song by American rock, R&B and pop singer Michael Jackson from his 1991's Dangerous album. The song became that album's second number one R&B single and its third top ten pop single, hitting number six on the Billboard Hot 100.

The song, written by Jackson and Teddy Riley, is about keeping a relationship secret between lovers. It was also Jackson's effort to silence critics who questioned his sexuality. "In the closet" is an English idiom used when one is not open about an aspect of their life, particularly in regard to sexual orientation. Despite the song's suggestive name its lyrics do not allude to hidden sexual orientation but rather a concealed relationship; "Don't hide our love/ Woman to man." The New York Times stated, "Only Jackson would use that title for a heterosexual love song..." Rolling Stone described the number as "titillatingly titled" but "determinedly heterosexual." The single's music video, directed by Herb Ritts, features Jackson performing sensual and physically complicated dance techniques with supermodel Naomi Campbell. The song's female vocal was originally labeled "Mystery Girl" but was later revealed to be Princess Stéphanie of Monaco. Campbell mimes the lyrics for the music video.

The song, with its heavy industrial-sounding percussion and uptempo arrangement, is typical of producer Teddy Riley's new jack swing style. The unique, Eastern-influenced backing vocals, reaching crescendo at middle eight imbue the song with an erotic edge usually missing from Jackson's music. His vocals are whispered and subdued for most of the song, embellished with gasps and shudders. It is generally considered one of his most provocative singles with lyrics that include "...And if it's aching, you have to rub it." However, this could also translate to his heart needing consoling. Only in the chorus is his typically soulful falsetto given free rein.

The song was not performed during Jackson's Dangerous World Tour, but a short version, with the intro of "She Drives Me Wild," was the third song of a medley including "Scream" and "They Don't Care About Us" during the HIStory World Tour. Princess Stéphanie's spoken lines were replaced with Jackson's live speech for the sequence, during which his voice sounds much lower than it does in the track.

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Michael Jackson - Jam [HD | 352MB]

"Jam" is a song by Michael Jackson from his 1991 Dangerous album. The single was re-released in 2006 as part of Jackson's Visionary: The Video Singles collection. "Jam" is a mix of aggressive or hard funk, dance and rap, or funk hip hop. The bridge features a rap performed by Heavy D (of the group Heavy D & the Boyz). The music video of the song featured NBA legend Michael Jordan. The song was also featured on the Chicago Bulls'—Jordan's team at that time—1992 NBA Championship video "Untouchabulls". The song was used as the opening number on Jackson's Dangerous World Tour. The song re-entered the UK charts in 2006, reaching number 22. Peaking at #26 on the Billboard Hot 100, it became the first officially promoted Michael Jackson solo single not to reach the Top 15 since 1979.

Music Video
The music video for "Jam" takes place within an indoor basketball court, where Jackson teaches basketball legend Michael Jordan how to dance, and in return, Jordan teaches Jackson how to play basketball. Special effects[citation needed] have Jackson throwing a basketball from a window and scoring in the hoop at the opposite end, as well as Jackson scoring by tossing the ball behind him and kicking the ball into the hoop with his heel. The extended versions of the video include Jackson teaching Jordan how to do the physically complicated moonwalk dance technique. The rap duo Kris Kross makes a cameo appearance, as does Heavy D (who performs a rap during the bridge).

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Michael Jackson - Black or White [HQ | 130MB]

"Black or White" was the first single taken from Michael Jackson's Dangerous album, released in November 1991. "Black or White" is a mix of hard rock, dance and hip hop.
Written, composed, and arranged by Jackson with the rap lyrics by Bill Bottrell, it is a song that promotes racial unity. The song's main riff, a Rolling-Stones fashioned lick, is performed by Bill Bottrell. Former guitarist of Guns N' Roses, Slash, played in the song's scripted intro vignette.
The song reached number one on the US Billboard Hot 100 and the UK Singles Chart, as well as in 18 other countries.

The music video for "Black or White" was first broadcast on MTV, BET, VH1, and Fox (giving them their highest Nielsen Ratings ever) on November 14, 1991. Along with Jackson, it featured Macaulay Culkin, Tess Harper, and George Wendt. It helped usher in morphing as a new technology in music videos, pioneered by Godley & Creme's "Cry" video in 1985. The video was directed by John Landis, who also directed Thriller.

Music Video
The first few minutes of the video featured an extended version of the song's intro, in which a young kid (Macaulay Culkin) is playing loud music in his bedroom at night, and is yelled at by his enraged father (George Wendt), who demands he stops playing the music and go to bed. The kid decides to reject his father's request to go to sleep by setting up large speaker cabinets behind his father's reclining chair, donning one leather glove and sunglasses, and playing an extremely loud power chord on an electric guitar. The sound then shatters the house's windows and sends his father (seated in his chair) halfway around the world, where the actual song begins. The kid's mother (Tess Harper) declares that his father will be "very upset" upon his return. The song from the CD does not use Culkin's or Wendt's voice; the CD version voice-over features Andres McKenzie, a 12-year-old Los Angeles native who was also a child actor. The father winds up in Africa, and Jackson begins to sing "Black or White", surrounded by various cultures scene-by-scene.
A young Tyra Banks, just beginning her career as a supermodel, is seen dancing to the song in the ending of the video, as well as actress Peggy Lipton.

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Michael Jackson - Stranger in Moscow [HQ]

"Stranger in Moscow" is the fifth and final single from Michael Jackson's album HIStory. The song was released worldwide in November 1996 but was not released in the US until August 1997. The track was written by Jackson in 1993, at the height of the highly publicized child abuse accusations made against him, while on tour in Moscow. In the ballad, Jackson sings of a fall from grace that has left him lonely, isolated, paranoid and on the verge of insanity.
When the song was complete, and happy with the result, Jackson therefore decided to make the second disc of HIStory a full studio album, rather than a greatest hits compilation with several new tracks. Upon release "Stranger in Moscow" was praised by critics, today it remains one of his most critically acclaimed pieces. Commercially the single saw mixed results by Jackson's standards, but the highly successful album had already been on the market nearly 18 months and numerous A-side, B-side and radio only singles had already been released to a positive commercial reception.
The song's music video depicts the lives of six individuals, including Jackson, who are left isolated and disconnected from the world around them. The imagery in the video has been replicated in television adverts.
The song's music video feeding pigeons, a boy ostracized from a game of baseball and Jackson himself is the sixth figure, seen walking the city streets. Special effects are used to show birds and wasps flying, glass breaking and coffee spilling, all in slow motion.

Music Video
In the second half of the scenario, heavy rain descends on the city and the citizens try to flee, all again seen in slow motion. From the safety of shelter, the six "strangers" watch everyone's futile attempts to avoid the sudden change in weather. Eventually they decide to go outside, where they look up at the sky and allow the rain to soak them. The video concludes with a man speaking in Russian.
Jackson's biographer J. Randy Taraborrelli, has stated that the video is based on Jackson's real life. The singer used to walk alone at night looking for new friends, even at the peak of his musical popularity. The 1980s saw the singer become deeply unhappy; Jackson explained, "Even at home, I'm lonely. I sit in my room sometimes and cry. It's so hard to make friends ...I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home".
The advertising campaign for ICC Champions Trophy 2004 featured a "new-look (leaner and sexier) Mandira in a series of smart outdoor ads and a classy TV spot". The television commercial was inspired by "Stranger In Moscow" where "the maiden in black splash about in the rain, with kids playing cricket for company".

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Michael Jackson - Scream [HQ]

"Scream" is primarily a song directed at the tabloid press. As far back as the late 1980s, Jackson and the press had a difficult relationship. In 1986, the tabloids ran a story claiming that Jackson slept in a hyperbaric oxygen chamber to slow the aging process; he was pictured lying down in a glass box. Although the claim was untrue, Jackson disseminated the fabricated story himself. Jackson bought and befriended a pet chimpanzee called Bubbles which extended his eccentric persona. It was reported that Jackson had bought the bones of The Elephant Man, and although untrue, Jackson did not deny the story. These stories inspired the pejorative nickname "Wacko Jacko", which Jackson acquired the following year, and would come to despise. He stopped leaking untruths to the press, so the media began making up their own stories.

In 1989, Jackson released the song and music video "Leave Me Alone", a song about his perceived victimization at the hands of the press. The video shows Jackson poking fun not only at the press but also the situation he was in. In the video, there are images of shrines to his friend Elizabeth Taylor, newspapers with bizarre headlines, and Jackson dancing with the bones of The Elephant Man.

In 1993, the relationship between Jackson and the press soured entirely when he was accused of child sexual abuse. Although never charged with a crime, Jackson was subject to intense media scrutiny while the criminal investigation took place. Complaints about the coverage and media included using sensational headlines to draw in readers and viewers when the content itself did not support the headline, accepting stories of Jackson's alleged criminal activity in return for money, accepting confidential, leaked material from the police investigation in return for money paid, deliberately using pictures of Jackson's appearance at its worst, a lack of objectivity and using headlines that strongly implied Jackson's guilt. At the time, Jackson said of the media reaction, "I will say I am particularly upset by the handling of the matter by the incredible, terrible mass media. At every opportunity, the media has dissected and manipulated these allegations to reach their own conclusions."

The entertainer began taking painkillers, Valium, Xanax and Ativan to deal with the stress of the allegations made against him. A few months after the allegations became news, Jackson had lost approximately 10 lb (4.5 kg) in weight and had stopped eating. Jackson's health had deteriorated to the extent that he canceled the remainder of his tour and went into rehabilitation. Jackson booked the whole fourth floor of a clinic and was put on Valium IV to wean him from painkillers. The singer's spokesperson told reporters that Jackson was "barely able to function adequately on an intellectual level". While in the clinic, Jackson took part in group and one-on-one therapy sessions.
When Jackson left the U.S. to go into rehabilitation, the media showed the singer little sympathy. The Daily Mirror held a "Spot the Jacko" contest, offering readers a trip to Disney World if they could correctly predict where the entertainer would appear next. A Daily Express headline read, "Drug Treatment Star Faces Life on the Run", while a News of the World headline accused Jackson of being a fugitive. These tabloids also falsely alleged that Jackson had traveled to Europe to have cosmetic surgery that would make him unrecognizable on his return. Geraldo Rivera set up a mock trial, with a jury made up of audience members, even though Jackson had not been charged with a crime.

"Scream"/"Childhood" and HIStory were Jackson's first releases since the allegations, and the press was waiting to see if the album would sell well. One analyst for SoundScan expressed the opinion that the press were out of touch with the public when it came to Jackson; the public liked him, while the press did not. He believed that "naysayers" in the media would be left surprised with the commercial reception to the HIStory campaign

Music Video
The 4:46 minute music video for "Scream" was choreographed by Jackson, directed by Mark Romanek, with the production being designed by Tom Foden. Jackson did not create the "concept" for the video, which he had often done in the past, but left it to Romanek. Jackson later described the making of "Scream" as a collaborative effort. The song and its accompanying video are a response to the backlash Jackson received from the media in 1993.

Foden commented, "Mark had written the treatment and the general idea was that Michael and Janet were on this large spacecraft. And they, were alone...They were getting away from Earth, and the different sets were the different environments on the spacecraft where they could have a little bit of fun and where they could relax". Production of the music video's 13-piece set were restricted to a one-month period and is produced by Foden art directors Richard Berg, Jeff Hall, and Martin Mervel. Foden describes the assignment as a "military operation" explaining, "The idea was to give each of the art directors three sets: a complicated one, a not-so-complicated one, and one of the smaller, easier vignettes." Typography in the video was designed by P. Scott Makela. Jackson was happy to work with his sister again, explaining that as they still had a passion for dancing it reminded him of "old times."

In the video, Janet Jackson takes on a darker persona, previously unseen in her own music videos. Jim Farber of the New York Daily News described her as "Sporting a thick thatch of wig hair, and eyes darkened by coal-black makeup...sullen and arty...Janet, however, never looked tougher, or more in control."

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Michael Jackson - Smooth Criminal [HQ | 105MB]

"Smooth Criminal" is the seventh single from Michael Jackson's Bad album (1987). The song contains a fast-paced beat intertwined with Jackson's lyrics about a woman named Annie, who has been attacked in her apartment by Mr. Big/Frankie Lideo. It was released as a single on October 24, 1988 and peaked at 7 on the Billboard Hot 100.[1] It was re-released on April 10, 2006 as a part of the Visionary: The Video Singles box-set. The re-released Visionary single charted at #19 in the UK. In 2003, the song appeared on the Number Ones greatest hits album.

Jeffrey Daniel of the soul music group Shalamar choreographed the "Smooth Criminal" video. It was directed by special effects coordinator Colin Chilvers. Currently there are four different versions of the video for "Smooth Criminal":
The Original Moonwalker Version - This is the version included in the Moonwalker film - while technically the whole short film is 39 minutes, the actual "Smooth Criminal" song chapter on the DVD is 9 minutes 21 seconds. It is generally the most complete version of the video and includes the unedited middle section of interpretive dance with the dancers but does not include the last six seconds where a flapper fans herself after the door is shut behind Michael.
The "Moonwalker Version" - This version is included on History on Film, Volume II and is an edited song section of the "Smooth Criminal" segment from the film Moonwalker. It is essentially the same, however it has some minor changes including: different opening music and no dialogue, the middle section with the dancers chanting has been truncated (some of the chanting has been shortened) and ends at the point in the original where Michael exits the club with an added shot of the lead flapper fanning herself. This version is approximately the same length as the original Moonwalker segment, despite having over a minute cut out from the middle section. Being a PAL to NTSC transfer (the Moonwalker DVD has only been released in PAL regions), this version suffers from blurred colors and other artifacts, and the speed of audio has been altered to accommodate for the edited section.
The Sped Up/Moonwalker Credits Version - This is commonly shown on music video stations, appears during the end credits for Moonwalker and was included on the "Visionary" single. It is essentially the "Smooth Criminal" video sped up, with an added blur effect, and some alternate angles. This version is also the version being sold in the iTunes Music Store
The Album Version - Also shown on some music video stations - it is the regular version of the video edited to be in sync with the original album version of the song. It excludes the added lyric, the middle section along with various other moments. However, commonly the Sped Up/Moonwalker Credits version is used rather than this version.
The video won Best Music Video at the 1989 Brit Awards.
In the Alvin and the Chipmunks video special Rockin' with the Chipmunks, part of the music video is shown, but with Alvin inserted.


Anti-gravity lean



"Smooth Criminal" music video. Shows an anti-gravity lean performed by Jackson.
An image of U.S. Patent No. 5,255,452 filed by Jackson describing the anti-gravity lean.The effect in the video when Jackson and the dancers lean forward a seemingly impossible distance was achieved using special harnesses with wires and magnets. It was desired to replicate this effect for Jackson's stage show, but it would have been more obvious and cumbersome to use wire harnesses in a live performance. Jackson and his team devised an alternative way to achieve the effect on stage. The props needed for their technique were patented in the United States by Jackson in 1993, and consist of pegs that rise from the stage at the appropriate moment, and special shoes with ankle supports and cutouts in the heels which can slide over the pegs and be thereby attached to the stage temporarily. These allow the performers to lean without needing to keep their centers of gravity directly over their feet. This patent expired on December 20th, 2005 due to failure to pay its maintenance fee.


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